Champian Fulton

Jazz Pianist and Vocalist

NEW RELEASE: Flying High for the Holidays, A Holiday Album for All Seasons

Jazz Label Songbook Ink Closes Out America 250 with Flying High for the Holidays, a Holiday Album for All Seasons, Featuring 13 Seasonal Songs Made In America, Memorialized by Legendary Women of Jazz Past and Present

Jazz Label Songbook Ink Closes Out America 250 with Flying High for the Holidays, a Holiday Album for All Seasons, Featuring 13 Seasonal Songs Made In America, Memorialized by Legendary Women of Jazz Past and Present

For the First Holiday Album in the Label's Innovative, Women-Centric Flying High Series, Musical Director Champian Fulton Calls In Her Dream Team of Vocalists including Nicole Zuraitis, Carmen Bradford, and Bria Skonberg.

Stream the Single Silver Bells Featuring 2X Grammy Winner Nicole Zuraitis

Available on CD, Vinyl and on Digital Platforms November 6, 2026 via Songbook Ink

Pre-Save Here

Songbook Ink, the jazz label that celebrates the Great American Songbook with critically-acclaimed audiophile compilation recordings featuring the best contemporary voices on the scene today, closes out America 250 with Flying High for the Holidays, a 13-track compilation album honoring the remarkable songwriters and pioneering women whose recordings helped define the sound and traditions of the holidays. A limited edition run of vinyl, signed by triple-threat pianist, vocalist and musical director, Champian Fulton, will be available to commemorate America's big birthday year.

Flying High for the Holidays is the first holiday album in Songbook Ink's indispensable Flying High series of albums, the brainchild of producer Suzanne Waldowski and Music Director Champian Fulton that celebrates the vocalists, or "canaries," who sang with the iconic big bands and were an important and enduring part of the legacy of American song.

Inspired by Jackie Gleason’s seminal 1956 Capitol album Merry Christmas, Fulton wanted to put something together that gave off similar warm vibes, bypassing an orchestral setting for her own relentlessly swinging two-fisted piano stylings, the always tasteful reed work of Klas Lindquist,

and two unbeatable rhythm sections, one with Fulton’s “home team” of bassist Neal Miner and drummer Fukushi Tainaka, while others spotlight the work of drummer Charles Ruggiero and legendary bassist Buster Williams.

For her moments in the spotlight, Fulton chose three off-the-beaten-path selections: “Dreamer’s Holiday,” written in 1949 for Perry Como by two female songwriters, Mabel Wayne and Kim Gannon, “December,” an unjustly obscure composition by trumpeter Billy Butterfield and the great vocalist Kay Starr, duo setting with frequent partner-in-time Lindquist; and “Christmas Love Song,” a collaboration between heavyweights Alan and Marilyn Bergman and Johnny Mandel that Rosemary Clooney recorded, but one that hasn’t achieved standard status yet, something that might change after folks hear what Fulton does with it.

Fulton spearheaded this project and proffers generous and excellent accompaniment to the rest of the album’s all-star cast of singers, a mix of new and returning modern “canaries” to the Flying High scene. Representing one of the new faces, Emily Braden is featured on “Winter Wonderland,” and captivates on her contemporary rendition of Richard Rodgers and Oscar Hammerstein II’s only holiday song, “Happy Christmas, Little Friend.”

The other new voice is New York City favorite Molly Ryan, who exudes warmth while swinging out on Bob Russell’s “Warm in December,” first recorded by Julie London in 1956, and the beautiful “In the Gloaming, By the Fireside,” a big hit in Great Britain in the 1930s that was later resurrected in 1956 by proud canary Jo Stafford.

Returning to the Flying High family, Nicole Zuraitis lends her multiple GRAMMY-winning pipes to two staples, “Silver Bells,” and Irving Berlin’s “I’ve Got My Love to Keep Me Warm,” 

Australian-born Olivia Chindamo also returns “Love Turns Winter to Spring,” memorably recorded by June Christy in 1957, before swinging the daylights out of “Little Jack Frost Get Lost."

Carmen Bradford, a tenured member of the Count Basie Orchestra, makes a celebratory appearance on “(Everybody’s Waitin’ for) The Man with the Bag,” a hip ode to Santa that was the property of Kay Starr, but is now owned by Bradford.

Reed player, Lindquist steps into the spotlight on an instrumental rendition of Frank Loesser’s evergreen, “What Are You Doing New Year's Eve?" later recorded by Nancy Wilson (longtime boss of bassist Buster Williams). It should be pointed out that Loesser didn’t envision this as a holiday tune, with his daughter Susan once stating, “It always annoyed my father when the song was sung during the holidays."

While many holiday albums, even in the jazz realm, sound comforting between Thanksgiving and Christmas, Waldowksi and Fulton curated the choice of songs and arrangements for Flying High for the Holidays to intentionally sidestep the cliché of sleigh bells and overdone songs that send the album to the back of the shelf (or deleted from the playlist) come January 1.

"For 250 years, America has fostered a spirit of creating, inventing, and imagining," says Waldowski, who released Accentuate the Positive, a collection of upbeat songs from the great American Songbook that bouyed Americans' spirits through hard times, including WW2 and the Great Depression. "Few of our cultural contributions have traveled farther and endured longer than this music. Flying High for the Holidays celebrates that distinctly American legacy and honors the extraordinary women who put their indelible stamp on them, and these contemporary vocalist carrying the torch forward to create this soundtrack for the season. My hope is that when listening to Flying High for the Holidays, every day will feel like a holiday!”



Track Listing

1.A Dreamer's Holiday - featuring Champian Fulton

2.Winter Wonderland - featuring Emily Braden

3. Silver Bells - featuring Nicole Zuraitis

4. The Man with the Bag - featuring Carmen Bradford

5. Warm in December - featuring Molly Ryan

6. Love Turns Winter to Spring - featuring Olivia Chindamo

7.December - featuriing Champian Fulton

8. Happy Christmas, Little Friend - featuring Emily Braden

9. Little Jack Frost, Get Lost - featuring Olivia Chindamo

10. What Are You Doing New Year's Eve? - featuring Klas Lindquist

11. I've Got My Love to Keep Me Warm - featuring Nicole Zuraitis 

12. By the Fireside - featuring Molly Ryan

13. Christmas Love Song - featuring Champian Fulton


About Songbook Ink

Songbook Ink is a boutique record label and jazz-inspired merchandise company dedicated to celebrating the timeless artistry of the Great American Songbook. Through retro-inspired giftware, designs, and themed compilation recordings featuring top-tier next-generation musicians, their products pair mid-century styling with exclusive music downloads from their critically acclaimed recordings.

About Jazz at the Ballroom

Jazz at the Ballroom (JATB) is a California-based 501(c)(3) committed to keeping swinging, classic jazz alive by sharing the American Songbook through innovative programming and one-of-a-kind performances. In addition to its concerts, JATB brings this beloved American art form into the community through workshops, public events, and performances in schools, hospitals, and senior living communities. Since 2016, JATB has presented more than 175 concerts nationwide and an equal number of outreach performances, inspiring new audiences and nurturing a love of jazz for generations to come.

Suzanne Waldowski (Executive Director, Record Producer, Founder of JATB and Songbook Ink)

A jazz aficionado who has been enamored with the Great American Sonbook since a child, Waldowski began presenting concerts on a grass roots level in the ballroom of her then-home in Hillsborough, CA, which was once owned by Bing Crosby. Having grown up in a household that revered the Great American Songbook, Waldowski was inspired to find new ways to share the music she loved with new audiences and started presenting in her living room in 2016. Inspired by legendary jazz impresario, Norman Granz, who produced the legendary Jazz at the Philharmonic tours and recording, she named her 501(c)(3) presenting organization Jazz at the Ballroom. "I wish I could say he [Granz] was my mentor, but he died before JATB came into being,” says Waldowski. "He's certainly been my motivation though. His goal was to introduce this music to new audiences, which I'm trying to do. Initially, I started with a salon series, then it grew into more shows, and now albums. All of this happened so serendipitously."

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Show Dates

November 05 | Bang & Olufson (album release performance and cocktail reception) | San Francisco, CA (Limited Seating) RSVP Required

November 7 | Hillsborough Racquet Club | Hillsborough, CA Tickets

November 11 | The Greer | Pittsburgh, PA

Tickets available early October

November 12 | Two River Theater | Red Bank, NJ Tickets

November 28 | Green Room | New York City, NY Tickets

December 6 | Jazz at Kleinhans | Buffalo, NY Tickets

Happy 10 Year Anniversary to AFTER DARK

This year marks the 10th anniversary of Champian Fulton’s luminous 2016 musical love letter After Dark, a sophisticated late-night tribute to her early influence, Dinah Washington. With her signature blend of elegant piano and intimate vocals, Fulton, joined by bassist David Williams, drummer Lewis Nash, and her father Stephen Fulton on trumpet and flugelhorn, delivered a collection of standards that feel both timeless and deeply personal—from the playful swing of the opening song “Ain’t Misbehavin’” to the torchy allure of “Mad About the Boy” and the original solo piano closer “Midnight Stroll.” A decade later, After Dark remains a standout in her discography: smoky, mature, and full of the quiet magic that makes Champian one of Jazz’s most captivating voices.

“After Dark was the first album I made that wasn’t with my working band, and it was the first time to dedicate an entire album to one influence. It was a very big project for me, it felt very personal and vulnerable. I remember I was stuck in London the night before the recording session, and my father drove to pick me up at JFK and took me directly to the recording studio in New Jersey that morning. I was exhausted but happy. I remember this recording session very fondly, a memory of success and triumph over disastrous conditions, and of course with David and Lewis in the rhythm section you can’t go wrong. I still perform several of these arrangements, particularly “Mad About the Boy,” which remains a favorite of mine and my listeners.”


“After Dark introduces a more grown-up Fulton. The youthful vivacity that so strongly defined her previous releases cedes to a torchy ripeness.” - JazzTimes

“An album worth spinning anytime of the day, Champian Fulton’s After Dark is a warm and beautiful homage to Dinah Washington containing more than its share of wonderful moments.” - All About Jazz

“What’s most striking is how much care and attention Fulton gives every line, every word: she really sells the lyrics.” - NY Music Daily

“I’d be happy to hear Fulton if she were singing pages from the phone book. Swinging like crazy and burbling with creativity whether she’s singing or playing piano, Fulton, who turned 30 last year, would be a household name if the industry that propelled Norah Jones, Diana Krall and Jane Monheit to stardom could still work its magic.” - Peter Hum, the Ottawa Citizen

We did the photoshoot in the Gramercy neighborhood in New York City and I was so happy with these pictures taken by Tayla Nebesky. It was pretty chilly outside, so we used my car as a changing room and warming station in between shots. I did my own hair and makeup (I used hot rollers!).

Champian Lectures about Lou Donaldson for Jazz at Lincoln Center's Swing University

Alto master Lou Donaldson proved one of the defining figures of jazz in the 1950s, emerging as a master of BeBop who would rapidly come to help shape and define the later styles of Hard Bop and Soul Jazz. Pianist and vocalist Champian Fulton, who worked with Donaldson in his later years, will take you on a journey through the life and music of this saxophone legend.

Swing U classes will be available to re-watch on-demand up to 7 days after airing. Single tickets are available for sale up until class time.

  • Class run time is approximately 60–75 minutes.

  • A link to the class will be included in your purchase confirmation email.

  • Questions? Technical difficulties? Email swingu@jazz.org and we’ll be happy to assist.

CLICK TO JOIN

Champian Visits TEXAS in June!

Champian Fulton & Klas Lindquist Announce Special Texas Tour in June

Dynamic Jazz vocalist and pianist Champian Fulton and internationally renowned Swedish saxophonist Klas Lindquist are hitting the road for a special three-city tour across Texas this June. The tour celebrates Fulton’s deep Texas heritage and will feature songs from her new album, House Party.

Born to parents who were born and raised in Houston, Champian Fulton carries a powerful connection to the Lone Star State; this tour marks a heartfelt return to the region that helped shape her musical identity.

Tour Dates:

Tickets are available now at the respective venue websites.

“Returning to Texas with Klas is incredibly special to me. I lived in Houston in the early 1990’s with my parents, who both went to Aldine High School, and it was there that I began to learn to play piano. I’m excited to perform in Houston for the first time since 1998 and to return to Austin and San Antonio! I’m also really happy to bring Klas to Texas for the first time!”

Fulton’s latest album House Party follows Fulton’s earlier Turtle Bay release At Home and continues her practice of recording jazz in intimate, lived-in spaces. The gathering also grew from Cory Weeds’s annual visits to New York with groups of Canadian listeners who spend days moving from club to club across the city. Instead of presenting a traditional concert, Fulton invited everyone to dinner and performed without advance preparation. “I wanted to lean toward real jazz — jazz musicians hanging out with their friends, having a nice time, making music just for that moment. Getting together in a room, talking and eating and listening to music, that’s my reality. That’s what I love.”

“I moved to New York when I was 17, and I’m here and doing a lot of things that I always wanted to do, playing nice gigs and recording with great people. I feel pretty good about my 40th year and my 20th album.”

Klas Lindquist, known for his lyrical saxophone playing and dynamic presence, adds an exciting international flavor to the tour. Together, Fulton and Lindquist deliver a fresh, swinging, and emotionally resonant Jazz experience that blends American roots with Nordic elegance.

Don’t miss this rare opportunity to see two world-class artists in intimate Texas venues this June while they celebrate the release of House Party.



Champian Curates New Concert Series at the Walton Arts Center in Fayetteville Arkansas

Curated by Champian Fulton, Songbook Salon is a new concert series in Walton Arts Center’s Starr Theater that pays homage to the Great American Songbook performed exclusively by world-class vocalists. Each intimate evening will unfold in an atmosphere of elegance, where notes of Porter, Gershwin, Berlin and Ellington will come alive.

Experience the glamorous allure of classic jazz standards reimagined with passion and poise — an unparalleled celebration of America's artistic legacy. The Songbook Salon will be part of Walton Arts Center’s 2026-27 season, with additional performers and dates announced this summer. 

Click here for More info.

Reviews for "House Party" are Rolling In!!

CHAMPIAN FULTON MARKS HER 20TH ALBUM WITH HOUSE PARTY, A LIVE NEW YORK CELEBRATION RECORDED AMONG FRIENDS AT TURTLE BAY HEADQUARTERS

FEATURING HER LONGTIME TRIO WITH HIDE TANAKA ON BASS AND FUKUSHI TAINAKA ON DRUMS, WITH SPECIAL GUESTS KLAS LINDQUIST ON ALTO SAXOPHONE AND CORY WEEDS ON TENOR SAXOPHONE

OUT APRIL 10 VIA TURTLE BAY RECORDS

PREORER YOUR CD OR LP NOW: https://champianfulton.bandcamp.com/album/house-party

“There are a lot of good jazz singers around today, but there aren’t a lot of great ones. Champian Fulton is one of the great ones. Fulton doesn’t just sing songs, she tells stories.” - Modern Drummer

“Fulton gives another display of her awesome vocal and piano technique creating a true party atmosphere” Bebop Spoken Here

“She’s an artist keeping the flavour of the Great American Songbook alive” - Listening Sessions

“[House Party} affirms one essential dimension: its continuity. This music knows where it comes from and deliberately chooses to remain in dialogue with its heritage. In this sense, Champian Fulton doesn't preserve the past: it keeps it alive, phrase after phrase.” - Paris Move

“HOUSE PARTY” featured on Singer’s Unlimited on WBGO on April 10, Listen here

“[Fulton gives] familiar songs new life with her ability to sing, swing and serenade.” - Paptamus Redux

“This House Party is one we can all enjoy. Can I get an invite to the next one?” - Cultural Attache

“This record is what I LOVE about Jazz!” - Bellario Sonic

“Fulton, is, pun intended, a champion of standards….she has the dynamic down to a “perfect science.” - Marilyn Lester, NYC Jazz Record

“There are evenings when jazz truly finds its footing: social, spontaneous, and unguarded… [with this release] Fulton confirms that she never needs gimmickry, but that poise, patience and a sense of artistic self-possession are the touchstones of her work.” - Pierre Giroux, AAJ


THE AMERICAN pianist and singer Champian Fulton is releasing her 20th album, and it's back with Klas Lindquist on alto saxophone. Together with Hide Tanaka on bass, Fukushi Tainaka on drums and Cory Weeds on tenor sax, they create a soundscape that feels as intimate as it is alive. House Party was recorded last year during a private evening at producer Scott Asen's home in New York. As Fulton herself says: "I wanted to lean towards real jazz musicians who hang out with their friends, have a good time and just make music for the moment."

This spontaneous feeling permeates the entire album. It's like sitting in the middle of the tables, feeling the party atmosphere and the playfulness of the jam - almost so much so that you spontaneously want to applaud after every solo even though you're listening at home in your living room. And it really swings. Fulton's voice and its phrasing are reminiscent of the really great legends, a pleasant "walk down jazz memory lane" right through. Here the expression less is more is spot on. Songs that have been played countless times get new life, not through complicated modernizations or excessive innovation, but through pure joy of playing, outstanding musicality and really good playing. The notes speak for themselves, the interplay is flawless, and every solo line feels inspiring.

Stardust quickly becomes a favorite, where everything stops for a moment - just as it should be when Stardust is played. The lyrics find space through both text and tone when Fulton and Lindquist begin with a conversation just between them, before the rest of the band comes in.

The album does not surprise - you know what you are getting. But what does it matter when it is this good? Champian Fulton and her playing companions show that jazz does not need to be constructed or complicated to touch. It is music in its purest form, where the craftsmanship, the feeling and the joy of playing speak for themselves.

House Party is an experience and a celebration, a reminder of why we love jazz.

VIKTORIA ÄKESSON FORSMAN for Orkesterjournalen Sweden


"[Champian’s] voice has rarely sounded lovelier than on the House Party" - Syncopated Times

"Ultimately, this album exudes joy and camaraderie, and you really feel like you're part of this little party among friends." - Jazznicknames

New Album: House Party on Turtle Bay Records, Out April 10

CHAMPIAN FULTON MARKS HER 20TH ALBUM WITH HOUSE PARTY, A LIVE NEW YORK CELEBRATION RECORDED AMONG FRIENDS AT TURTLE BAY HEADQUARTERS

FEATURING HER LONGTIME TRIO WITH HIDE TANAKA ON BASS AND FUKUSHI TAINAKA ON DRUMS, WITH SPECIAL GUESTS KLAS LINDQUIST ON ALTO SAXOPHONE AND CORY WEEDS ON TENOR SAXOPHONE

OUT APRIL 10 VIA TURTLE BAY RECORDS

PREORER YOUR CD OR LP NOW: https://champianfulton.bandcamp.com/album/house-party

Pianist and vocalist Champian Fulton is thrilled to announce her 20th album, the aptly titled House Party, arriving April 10 on Turtle Bay Records. She recorded the album live in March 2025 during a private evening at producer Scott Asen’s home — Turtle Bay Headquarters in New York City — backed by her longtime trio of bassist Hide Tanaka and drummer Fukushi Tainaka, with alto saxophonist Klas Lindquist and tenor saxophonist Cory Weeds joining across the program.

Friends, longtime listeners, and close collaborators gathered for dinner and stayed as the music began. As the band kicks off, you hear champagne popping in the background — recalling the informal jam-session atmosphere of Dinah Washington’s 1955 classic Dinah Jams!. The evening also marked Fulton’s 40th birthday.

Across more than twenty years in New York, Fulton has built an international career grounded in the American song tradition and in the swing lineage passed down through her father’s mentor, Clark Terry. Her first paid performance came at Terry’s 75th birthday celebration when she was ten. Since then, she has performed in more than twenty-five countries, and maintained a long-running presence at Birdland, where her live recording Meet Me at Birdland earned Best Vocal Album of the Year from the NYC Jazz Record.

House Party follows Fulton’s earlier Turtle Bay release At Home and continues her practice of recording jazz in intimate, lived-in spaces. The gathering also grew from Cory Weeds’s annual visits to New York with groups of Canadian listeners who spend days moving from club to club across the city. Instead of presenting a traditional concert, Fulton invited everyone to dinner and performed without advance preparation. “I wanted to lean toward real jazz — jazz musicians hanging out with their friends, having a nice time, making music just for that moment. Getting together in a room, talking and eating and listening to music, that’s my reality. That’s what I love.”

“I moved to New York when I was 17, and I’m here and doing a lot of things that I always wanted to do, playing nice gigs and recording with great people. I feel pretty good about turning 40.”

The program opens with Isham Jones and Gus Kahn’s “The One I Love (Belongs to Somebody Else),” a standard Fulton first recorded on her second album, 2010’s The Breeze and I; her longtime affection for the song drew her to revisit it. The trio then tackles Gus Arnheim, Abe Lyman, and Arthur Freed’s “I Cried for You,” which she performs frequently with Tanaka and Tainaka. “I just never get tired of singing and playing that song,” she says.

Several selections carry personal and musical history. Hoagy Carmichael’s immortal “Stardust,” featuring Lindquist on alto saxophone, was a song Fulton often performed with her father and one he requested again the night before the party. Wayne Shorter’s “One by One,” drawn from the Jazz Messengers repertoire, appears here in a trio setting without horns and reflects Fulton’s ongoing exploration of Shorter’s music. Cole Porter’s “Get Out of Town” reunites her with Weeds on a song they first recorded together more than a decade earlier and have recently brought back into performance.

By the time the band reaches Charlie Parker’s “Billie’s Bounce,” the gathering has taken on the character of an extended jam session, allowing soloists to stretch without the time limits of a studio take. Listeners briefly wondered whether the evening was a concert, a session, or a party before settling fully into celebration.

An unplanned encore closes the album — Douglas Cross, George Cory, and J. Windsor’s “Carry Me Back to Old Manhattan,” which Fulton and Weeds had not performed since recording it the previous year. Prompted by an audience request, Fulton quickly reviewed the harmony, laughed through half-remembered lyrics, and carried the performance forward as friends in the room tried to help her recall the words. Asen chose to leave the moment intact — preserving the warmth and spontaneity of the evening.

There’s a bittersweetness just below the surface: the absence of her father Stephen Fulton. A trumpeter, bandleader, and educator closely associated with Clark Terry, he spent his final years on dialysis and passed away in early September 2025. While he couldn’t be there for the party, he was deeply aware of it — and father and daughter remained in daily contact, sharing news of performances, recordings, and future plans. “If I can’t share these things with him, are they really happening?” she asks today.

Listening back now, “It just brings back these warm memories of what fun we had,” Fulton says. “It’s a celebration of me moving to New York as a 17-year-old girl with not a lot of money, and a dream to become a jazz musician and play with great jazz musicians and travel the world and make records. Turning 40, I realize that is exactly what I’m doing. Literally living my young-girl dream.”

Tracklisting

  1. The One I Love (Belongs to Somebody Else)

  2. I Cried for You

  3. Stardust

  4. One by One

  5. Get Out of Town

  6. Billie’s Bounce

  7. Carry Me Back to Old Manhattan

© Champian Fulton